I've known Anjana Mehra for over 25 years, and in all that time, she has been one of those rare, steady figures in the art world—solid, consistent, and present, but never seeking attention. Her work speaks for itself, grounded in quiet introspection and a deep engagement with the world around her. Her latest show, Four Walls One Square Foot A Piece of Sky, held at the age of 75, marks another important chapter in an ongoing exploration of space, identity, and the ever-changing urban landscape of Bombay.
Anjana has always been fascinated by space. I remember when her art first focused on the industrial mills of Bombay—vast, crumbling structures that seemed to hold the weight of the city's history. Later, her attention turned to the pavements, and for almost eight years, she captured the overlooked moments of urban life with the same care and depth. She shared these images on social media, building a unique archive that showcased the city's raw, unpolished beauty. Through these shifts, Anjana has consistently addressed how space, in all its forms, shapes us.
Denne historien er fra December 29, 2024-utgaven av The Free Press Journal.
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Denne historien er fra December 29, 2024-utgaven av The Free Press Journal.
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Bhopal to Mumbai: Four decades of ignored air pollution
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PLACES OF WORSHIP LAW CHALLENGE