Free speech reminds us the world is not a stage
The Guardian Weekly|August 26, 2022
Jerry Sadowitz has long pushed the boundaries of comedy. The cancellation of his Edinburgh fringe show reflects the difficulty of determining those edges 
Brian Logan
Free speech reminds us the world is not a stage

If we don’t defend free speech, we live in tyranny. That was the tenor of the coverage following the attack on Salman Rushdie . So is it also our take when a comedian uses “extreme racism, sexism, homophobia and misogyny” onstage? That’s the question surrounding the cancellation earlier this month of Jerry Sadowitz’s show on the Edinburgh fringe, and – spoiler alert – I, a mere comedy critic, am not certain of the answer.

What I do know is that this marks a watershed moment. Many of the earlier cancel culture v comedy furores have involved powerful acts (your Dave Chappelles, Ricky Gervaises and Jimmy Carrs ) not being cancelled at all. I’m being silenced, they yell, halfway through their Netflix specials.

It’s a different story this time. Here’s a show that was pulled hours before its performance, denying hundreds of ticket-holders their chance to see it, in response to complaints from audience and staff about Sadowitz calling the UK Tory leadership hopeful Rishi Sunak a P-word and flashing his penis at the front row . The decision has caused much debate, with some critics, among them famous comedians, citing the need to defend free speech and artistic creativity and others insisting that Sadowitz crossed a line, beyond which there’s no debate to be had.

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