Dulquer Salmaan's journey so far has been unique, with a blend of humility and a keen eye for scripts that resonate deeply with audiences. Although Dulquer has his foot in four Indian film industries, he confidently says, "I hate the word pan-Indian. I feel films should be rooted in a specific culture or place. The idea of a pan-Indian film often leads to compromises in storytelling." Speaking on the sidelines of his latest release, Lucky Baskhar, Dulquer opens up about his role, the evolving landscape of cinema, and the personal philosophies that keep him grounded.
What drew you to the character of Lucky Baskhar?
It's a very relatable story of a common man. Baskhar is the sole breadwinner of a big family, constantly juggling debts. The pun in the title is intended, and when the characters called me 'lucky Baskhar' with slight passive-aggressiveness, I wondered if they really meant it (laughs). The protagonist's struggles felt very real to me.
Is the story fictional, or did it draw inspiration from real events?
While the character is fictional, there were some real-life inspirations, especially from the late 80s and early 90s. Venky Atluri, our director, did a lot of research about that period, especially on financial scams and banking procedures. I constantly asked him questions to understand the story better because it felt so close to reality.
You've played quite a few morally ambiguous characters lately. What attracts you to these roles?
Denne historien er fra November 14, 2024-utgaven av The New Indian Express.
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Denne historien er fra November 14, 2024-utgaven av The New Indian Express.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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The visuals sparkle, the storytelling pales
IRANGAL Moondru begins with a storyboard of events that substantiate the existence of chaos theory in life, providing ground for what is to follow.
FASCINATING SUBVERSION OF GOOD VS EVIL TALE
WICKED Part 1 captures the rebellious nature of the youth of today. But with the universally twisted notion of the wise and the wicked.
A bland rom-com devoid of ambition and direction
MAKKU Thozhil Romance begins with a sequence where Ashok Selvan's character Uma Shankar delivers an Oscar acceptance speech, and he takes in applause from Brad Pitt, Christopher Nolan, Steven Spielberg, and more.
A TEDIOUS BARRAGE OF MOSTLY UNFUNNY JOKES
S dramatic as it sounds, no one can deny the fact that Tamil cinema has been going through a severe drought of quality comedies in the last few years.
Restoring balance with chiropractic care
When we think of chiropractic care, the first thing that often comes to mind is someone lying on a table while their spine cracks and pops.
Protect your paw pal
AVENDER, vanilla, chamomile, citrus, cranberry, and whatnot.
BABY STEPS WITH NEMALINE MYOPATHY
A young parent's excitement knows no bounds to see their toddlers crawl, but what if the toddler's movements are weaker, slower than expected.
ACTING IS THE MOST DIFFICULT JOB
A MASTER OF SILENCES AND A CRAFTSMAN PAR EXCELLENCE, MANOJ BAJPAYEE, SPEAKING AT IFFI'S 'MASTERING THE UNSEEN' SESSION, UNVEILED HIS CRAFT, SHARED HIS STRUGGLES, AND REFLECTED ON HIS ENDURING LOVE AFFAIR WITH CINEMA
Love in action: The heart of Sai Baba's mission of service
VENKAT and Deepa Rani of Addanki village in Prakasam district, Andhra Pradesh, walked out of the Sri Sathya Sai General Hospital in May 2009, joyfully holding their newborn, Sai Teja.
BABA'S VISION IS TO REACH MORE PEOPLE, GEOGRAPHIES
The mission of Bhagawan Sri Sathya Sai Baba began taking shape in the early 1950s.
