It used to be the case that America displayed itself on the global stage representing power, courage, resolve, and an impenetrable bond to the values of its Constitution.
Today, it displays weakness, division, and an embarrassing demonstration of circuslike behaviour. I don't even recognize my country any longer. I know that many people around the world feel the same way. It has left me fearing for our collective future-regardless of who takes over in the White House.
We got here, in an incredibly short period of time-coinciding with Trump's descent down that escalator in Trump Tower in 2015-not only because he masterfully and demonically stirred the experimental melting pot that we call America-but because so many Americans have failed themselves. It is one thing to send a man like Trump to the Oval Office perhaps not truly understanding his DNA. But Americans do understand that now, and half of them remain ready to send him back! The Cult of Trump is filled with people who believe in conspiracy theories (and the other manure that comes with Trumpism), too many who have failed to question what they are told, and tens of millions who are too lazy or incapable of doing the work necessary to qualify as informed voters.
Denne historien er fra October 27, 2024-utgaven av The Sunday Guardian.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October 27, 2024-utgaven av The Sunday Guardian.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
RICHARD CASH: THE POWER OF SIMPLICITY IN GLOBAL HEALTH WHEN LITTLE THINGS MAKE A BIG DIFFERENCE
Richard Alan Cash's life has been a testament to the power of simple solutions and the profound impact one individual can have on the lives of many.
UNDERSTANDING STROKE: SYMPTOMS, DIAGNOSIS, AND PREVENTION
Ahead of World Stroke Day on 29 October, The Sunday Guardian spoke with Dr Pradeep Mahindrakar, Chief of Lab for Panvel, Alibaug, and Goa at Metropolis Healthcare Limited.
2025 Jeep Meridian launched in India with updated design
Jeep India has launched the 2025 Meridian SUV, now available with a minor facelift and feature upgrades, starting at 24.99 lakh (ex-showroom). Bookings are open with a deposit of *50,000, and deliveries are expected by the end of October 2024.
Ola Electric claims 99% resolution of customer complaints
According to a regulatory filing, Ola Electric Mobility has resolved 99.1% of the 10,644 complaints filed with the Central Consumer Protection Authority (CCPA).
New Kia Carnival deliveries launched in India
Kia India has officially begun deliveries of the second-generation Carnival, recently introduced in the country with a starting price of Rs.63.90 lakh (exshowroom).
Maruti Suzuki launches Swift Blitz edition for festive season boost
The Swift Blitz Edition is available in two trims, VXi and VXi (O), and builds on the base Swift with exclusive exterior features.
TVS MOTOR ACHIEVES HIGHEST EVER REVENUE AND PROFITS IN JUL-SEP
TVS Motor Company posts highest ever operating revenue of Rs. 9,228 Crores registering a growth of 13% for the quarter ended September 2024 as against Rs. 8,145 Crores reported in the quarter ended September 2023.
MERCEDES LAUNCHES 2025 AMG G 63 IN INDIA
Mercedes has officially introduced the 2025 AMG G 63 in India, priced at ₹3.60 crore (ex-showroom), with bookings now open and deliveries slated for the third quarter of 2025.
WHEN LITTLE THINGS MAKE A BIG DIFFERENCE
The cabin crew had positioned themselves at the aircraft door to see the passengers off at the airport in Hyderabad, and as I neared it, one of them greeted me by name and handed me a slip of paper.
KNMA CELEBRATES INDO-GERMAN MODERNISM AND CULTURAL EXCHANGE
The Kiran Nadar Museum of Art (KNMA) in Saket, New Delhi recently opened a fascinating exhibition titled 'Eckart Muthesius and Manik Bagh: Pioneering Modernism in India,' curated by Raffael Dedo Gadebusch, Head of the Museum für Asiatische Kunst, Berlin.