Rory Carnegie's Autoportraits project began in 1982 while he was studying history at London University. From his studies in Chinese communism and Brazilian fascism he became interested in the balance of power that underpins all human relationships, and he decided to experiment with this interplay using the medium of photography.
For Rory, the portrait photograph is a metaphor for power; the way that authority ebbs and flows between the photographer, the sitter and then the viewer. He set out to disrupt this relationship by 'getting as far away from the camera as possible' and divesting himself of the authority or authorship of the portrait.
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Denne historien er fra May 09, 2023-utgaven av Amateur Photographer.
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Calling The Shots: A Queer History of Photography
Offering an unprecedented view of photographic history through a queer lens, this is a wonderful and powerful book, says
Large-aperture standard zoom, too
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The sociable Canvey Island Photographic Club is keen to grow its in-person meet ups
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140 years of change
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