£45, Thames and Hudson, hardcover, 288 pages, ISBN: 9780500025390
If you’ve been keen to educate yourself on the history of African photography, but haven’t been entirely sure where to begin, then a book like this will be a gift for you.
This comprehensive exploration of postcolonial and contemporary photography (and cinema) from Africa draws upon extensive archival imagery and documents, as well as interviews with the photographers and filmmakers featured (or relatives/associates if the artist is deceased).
Alongside that, we also have essays from writers, scholars and curators which all help to put the work into context. Overall, the result is a fantastic introduction to an area that has been all too often overlooked until relatively recently.
This new book has been beautifully put together, with some extraordinary imagery and stories. It consists of two sections (photography and cinema), with each featuring 25 artists, and each attempting to ensure there is a good geographical balance and representation.
My interest lies more squarely with the photography section, but there’s still plenty to enjoy in the cinema half too.
Some of the biggest names in African photography/cinematography are included in this volume – if you don’t know them, now is the time to find out who they are. That includes Malick Sidibé, Sanlé Sory and Seydou Keïta, who have all become highly collectible figures in the art market.
Other names you might perhaps recognise a bit more readily include Samuel Fosso and Ernest Cole, both of which we have featured in recent years here in Amateur Photographer. An extended interview with Fosso is also included in the book.
The book is edited by Amy Sall, who is a writer, independent researcher and collector archivist based in New York. She’s also the founding editor of SUNU: Journal of African Affairs, Critical Thought + Aesthetics.
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Denne historien er fra September 03, 2024-utgaven av Amateur Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.