The use of artificial intelligence in photo editing may be a contentious issue, but it’s safe to say that it’s here to stay. While most ethical questions surrounding the use of AI in photography centre on the creation of entire images, most of the AI-powered tools available in photo editing software are pretty much benign when it comes to the question of ethics and authenticity.
At this point, you may be wondering where we’re heading because surely any use of AI goes against the veracity of photography, but there’s an extremely simple argument here. Not to mention, one that includes the use of Photoshop’s Generative Fill feature in a specific way. I don’t want to get bogged down in the AI debate so we can cast that aside, and some of this was covered in an interview in the Christmas issue of AP with the Italian photographer Andrea Pizzini who creates incredible images of Sony cameras using AI.
The majority of AI-powered tools in editing software are designed to save time and typically make complex tasks easier to achieve. They’re not there to trick, cheat or anything else, they’re both practical and powerful in equal measure. Photoshop has been gradually growing in this area with many tools now at the disposal of photographers, ranging from intelligent selection refinement to special effects to cloning and much more. Most, if not all of the results of these tools can be achieved in more manual time-consuming ways, so I would argue that taking advantage of them is most often a wise decision.
Photoshop is an AI powerhouse
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140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
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Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
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