Wildlife photography is changing. Today, a greater number of photographers are devoting time to covering environmental issues rather than joining the throng of morning commuters on safari game drives. Although wildlife remains their focus, some no longer call themselves wildlife photographers - now, they prefer to be known as conservation photographers.
For Neil Aldridge, this shift in direction is a long-awaited validation of the lonely path he first trod in 2009. That was the year he established his brand by registering the name 'conservation photojournalism' with Her Majesty's Revenue and Customs. "In fact, it probably had its roots back in 2005 when I did my wildlife guide training in Africa, taking a lot of photos, doing a lot of wildlife photography," he recalls.
Back then, the young South African was photographing conservationists working with endangered African wild dogs. A contract with the Wildlife Trust in the UK followed, and when that finished in 2008 he decided to do a master's degree in photojournalism.
"I went into photojournalism because I wanted to tell stories about conservation," he says. "Yes, wildlife was at the heart of that, but I didn't want to do just the wildlife stuff. I didn't want to be in that bubble in Africa. I went to London because I wanted to learn how to photograph people. I wanted to learn how to tell stories."
Have you always been a storyteller at heart?
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Denne historien er fra December 2022-utgaven av Digital Camera UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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David duChemin
The Canadian wildlife photographer gives Niall Hampton a flavour of his latest book Light, Space & Time, and his talk at The Photography Show
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