Shooting portraits in the studio is a well-established method of capturing images of people under controlled lighting. A studio is a safe space for photographers and offers access to bespoke lighting and backgrounds. You can move your lights around at will, alter the intensity and direction, focus or widen the spread and easily modify how much light hits the surrounding background elements. You even have the ability to control the ambient temperature and have access to unlimited food, drink and shelter from the weather. So why would anyone want to take their photoshoot outside or into another 'alien' environment?
On the other hand, the studio might not necessarily feel safe and comfortable to your subject. You might be familiar with it and it may provide the opportunity to surround yourself with every possible item of kit you need, but to the person being photographed, it can be an intimidating place, which brings about a sense of vulnerability.
This emotion rarely encourages the most honest expressions and posture, and can lead to uncomfortable, wooden poses. In this case, it might be more appropriate to capture them in a place with which they are familiar. In other circumstances, you may be called upon to photograph a subject for an editorial purpose in a location that better communicates their story.
When you find yourself in an unfamiliar setting you have to be prepared to manage unpredictable lighting, reduce unsightly colour casts and eliminate peripheral distractions in the location to make the background complement your main subject. Let's take a closer look at how to prepare for the unknown and be ready to capture stunning portraits anywhere at any time.
Use overcast lighting
Capture outdoor portraits under flat but softer natural light
Denne historien er fra Issue 256-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Issue 256-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Apply a stylised detail enhancement
Give your photos a movie aesthetic with the bleach bypass effect in Photoshop
Sony FE 16-25mm f/2.8 G
Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range
Nikon Z 28-400mm f/4-8 VR
This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
How do I get into events photography?
Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
Create wet plate portraits
Recreate the collodion process for enhanced detail
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots