Impossible macro
Digital Photographer|Issue 266
Shoot and edit closeups with incredible detail and stunning backgrounds
Impossible macro

One of the great things about shooting on cameras with APS-C or Micro 4/3 sensors is that the crop factor these formats apply can help us achieve even greater magnification from our lenses, macro optics or otherwise. In close-up photography, this can be a benefit, especially if your lens doesn’t allow life-size magnification on its own. However, the closer crop means, if we shoot at a life-size 1:1 setting, we exclude much of the background.

While this might not sound like a problem in many cases, there are times when you want both incredible detail in your subject – the level only seen at life-size – and location elements behind it, to set the scene. This is one advantage of shooting macro on a medium format camera; you can get close to small subjects but the larger sensor captures more of the surroundings. This creates a unique blend of wider composition and attractive bokeh.

In digital photography, we can take things even further. By stitching multiple macro images together, we can create a shot with huge amounts of detail in the subject, plenty of background elements, for context and beautiful bokeh to smooth out any distractions. This blended image is impossible to create in a single frame, truly giving it the wow factor. It’s important, however, to carefully follow the workflow shown here to achieve reliably successful results.

Shooting steps 

1 Match subject height

Although a common tip for extending depth-of-field in macro photography is to shoot at 90° to the subject, and our goal is to reduce DOF, lowering the camera to ground level enables an interesting bug’s-eye view. It also allows for attractive natural backlighting.

2 Choose maximum f/stop

Denne historien er fra Issue 266-utgaven av Digital Photographer.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra Issue 266-utgaven av Digital Photographer.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA DIGITAL PHOTOGRAPHERSe alt
Sigma 28-105mm f/2.8 Art
Digital Photographer

Sigma 28-105mm f/2.8 Art

This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive

time-read
1 min  |
Issue 285
AstrHori 120mm f/2.8 Macro 2x
Digital Photographer

AstrHori 120mm f/2.8 Macro 2x

Matthew Richards finds out if double the magnification means couble the value

time-read
1 min  |
Issue 285
DxO PhotoLab 8 Elite
Digital Photographer

DxO PhotoLab 8 Elite

DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?

time-read
3 mins  |
Issue 285
Panasonic Lumix GH7
Digital Photographer

Panasonic Lumix GH7

Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat

time-read
3 mins  |
Issue 285
STORM CHASE
Digital Photographer

STORM CHASE

Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms

time-read
5 mins  |
Issue 285
PROTECT YOUR IMAGES FROM AI
Digital Photographer

PROTECT YOUR IMAGES FROM AI

Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission

time-read
4 mins  |
Issue 285
CREATE AI COMPOSITES
Digital Photographer

CREATE AI COMPOSITES

Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds

time-read
3 mins  |
Issue 285
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Digital Photographer

Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS

Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom

time-read
10+ mins  |
Issue 285
MASTER MINIMALISM
Digital Photographer

MASTER MINIMALISM

Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work

time-read
6 mins  |
Issue 285
LITTLE WONDERS
Digital Photographer

LITTLE WONDERS

Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents

time-read
8 mins  |
Issue 285