Picture a street scene in your mind - narrow bustling lanes, vibrant colours of people in local dress, vehicles of all types, maybe a traditional market featuring all kinds of exotic produce and there's a good chance that the scene you're imagining could be a snapshot from India.
A modern, multicultural, yet traditional nation, Indian society comprises people from many different religions and ethnicities speaking a variety of languages and observing a wide range of traditions. Streets in India are more than just a route for traffic, they are places where work and social life come together and major interactions take place.
For the past six years, Jignesh Chavda has been documenting life on the streets of India. With his fine appreciation of the effect of light, he offers an extraordinary view of Indian culture and its people through his lens. For Jignesh, photography is more than just a medium for documenting people and places. It enables him to convey his impressions and visually represent his personal reflections of a rapidly changing society. "In India, you can say home is where the work is," says Jignesh. "In my hometown of Ahmedabad, every home has a story, every house has a shop and the people do business in a festive mood."By combining creative compositions with unusual elements and layers, Jignesh creates memorable photographs that instinctively captivate the viewer. His work focuses on everyday human life and working people, but also near-extinct art and ancient traditions.
Hey Jignesh, what first inspired you to pick up a camera and start photographing on the streets of India? It's all about the feeling. Wherever I am, when I feel something, I take a photograph. There's something poetic about street photography. It's not just about being there at the right time, it's about imagination, feelings, observation and many more things.
Denne historien er fra Issue 265-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Issue 265-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents