APERTURES
Use Av mode to control how wide-to-narrow apertures in your lenses affect exposures
Different apertures affect sharpness
See how a narrow aperture compared to wide captures sharper scenes
Making sense of aperture f-stops
Your at-a-glance guide to aperture scales and what settings mean
Altering the aperture is one of your most potent weapons, but this simple control can lead to confusion. The aperture used can create varied, seemingly contradictory, effects. Then there is the number scale in the wrong order…
To simplify things, just think of the aperture as an opening that can be varied in size to control the amount of light reaching the camera sensor. Used in conjunction with shutter speed (the length of time the sensor is exposed to light), the aperture enables you to match the exposure to the brightness of the scene. The wider the aperture, the more light that is let in – helping you to compensate for darker conditions, or enabling you to use a faster shutter speed.
The aperture isn’t in your camera; it’s inside the lens. As Canon EOS DSLR and EOS R mirrorless lenses are removeable, the range of aperture settings varies on your lens. Expensive lenses tend to have significantly wider maximum apertures than budget zooms – eg f/1.2 or f/2.8 compared to f/4 or f/5.6. What might frustrate those new to photography is the field, and how much of the scene actually appears sharp.
Denne historien er fra April 2024-utgaven av PhotoPlus : The Canon Magazine.
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Denne historien er fra April 2024-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!