01 WINTER FIELDFARE BY GIANPIERO FERRARI WINNER 1ST
“After a snowfall during the night, several fieldfares came into the garden to take advantage of the apple that I left out. This particular bird was aggressive and took over the entire garden. I took some pictures from the window of my house, but knew I could get a better composition outside by shooting at ground level. So I built a pile of snow to use as a background and then lay in the ground under a camouflage blanket, waiting for the bird to return to eat the apples.”
Lens Canon EF 500mm f/4L IS USM
Exposure 1/200 sec, f/10, ISO500
02 OXPECKER BY KEVIN ROONEY 3RD PLACE
“I took this picture in Mara North Conservancy in Kenya. We came across a large herd of buffalo and soon found our Land Cruiser surrounded by them. By being so close, I was able to zoom in on the numerous oxpeckers cleaning ticks and flies from the buffalo. They especially concentrated on their eyes, ears and noses which is how I managed to get this shot before the buffalo shook the bird off.”
Lens Canon EF 100-400mm f/4.5-5.6L IS II USM
Exposure 1/1000 sec, f/5.6, ISO200
03 PYGMY OWL IN A SNOW SHOWER BY CHRISTY GRINTON VERY HIGHLY COMMENDED
Denne historien er fra April 2024-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra April 2024-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
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Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
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Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
