01 JACOBITE IN THE AUTUMN BY JON BROOK LINES IN THE LANDSCAPE COMMENDED
“It was one of those ‘sunshine and showers’ days. If the train had been on time, the whole scene would have been in the shadow of a cloud. As it happened, the viaduct was lit up just as the train crossed. I was lucky, but I was in the right position at the right time with the right settings on my Canon camera. Sometimes the more you plan, the luckier you get.”
Lens Canon EF 24-105mm f/4L IS II USM
Exposure 1/320 sec, f/6.3, ISO100
02 LIGHTNING STORM OVER JODRELL BANK BY MELVIN NICHOLSON LANDSCAPES AT NIGHT WINNER
“I arrived at Jodrell Bank at 1am, as a fierce lightning storm was fast approaching. Once I was in position inside the back of the van for protection, I set up my camera and sat there for four hours documenting the storm. The power and intensity of a full-blown lightning storm is exhilarating and humbling, as everything around you illuminates incredibly brightly. Lightning was flashing in every direction and in quick succession too.”
Lens Canon EF 24-70mm f/4L IS USM
Exposure 30 secs, f/4, ISO100
03 MILKY WAY AND AIRGLOW BY JENNIFER ROGERS LANDSCAPES AT NIGHT RUNNER UP
Denne historien er fra February 2023-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra February 2023-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
