Every time I venture to Namibia for my annual photography tour, I try to spend a few days at the end of the trip in South Africa. When I first went to Cape Town I really didn't know what to expect. The news headlines always describe this city as a crime hotbed and that South Africa is a failing nation, but I have nothing but good things to say about this remarkable country. Load shedding aside, Cape Town is a cosmopolitan city with some of the most breath-taking scenery. It was this majesty that I wanted to capture in the few short days I had before heading home back in 2016.
The gigantic Table Mountain is the backdrop to this vast metropolis, a shape so iconic that it’s unmistakable wherever you happen to be. In fact, it is literally impossible to get lost in Cape Town. On low-pressure days it is often sat in the low level cloud, but to the right of it sits Signal Hill, which arguably offers one of the greatest cityscape vistas in the world.
Denne historien er fra September 2023-utgaven av PhotoPlus : The Canon Magazine.
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Denne historien er fra September 2023-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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Sharpening a digital image also increases contrast at the edge of details
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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
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The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
