I have a friend named Yale, a record producer, who lives in a capacious, art-filled SoHo loft with enormous windows, craggy wood floors, and a high, tin-tiled ceiling. I enjoy Yale's company because he has extraordinarily diverse, highly evolved taste in music, art, architecture, books, home furnishings, and hi-fi equipment.
In one part of Yale's loft, a large, tin cow weathervane stands on a bureau. Bolted to the ceiling above the dining room table is a greasy black 3001b electric motor with a wide pulley-the kind formerly used to turn the belts that powered sweatshop machines ca 1920. In the purest essence of 1970s SoHo style, a loft bed is situated above the closet and bathroom, and the kitchen floor is raised to shelter plumbing pipes. There's an unnamable piece of machinery, about the size of a small dog, on the floor next to the couch. It sits there because it looks elegantly mysterious, inspiring curiosity and contemplation. Yale and his architect wife spent decades creating this dreamy, comfortable space, which leads my mind to reminisce-and loft envy.
One sunny winter weekday, Yale invited me over for the express purpose of helping him decide which amp does a better job powering his patinaed 1970s Tannoy Cheviot speakers: his newly arrived, 1956 Fairchild 260 tube amplifiers or the shiny Line Magnetic 2A3 amp he'd been using for some time. His "gear table," he said, was too small for both.
As we unpacked the Fairchilds, we agreed: Those push-pull 6L6 mono amps are museum-quality masterpieces of industrial design. The Fairchild 260s are, along with the Marantz Model 2 and the Brook 12A, top classics of American mono-era amplifier design.
Denne historien er fra June 2023-utgaven av Stereophile.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra June 2023-utgaven av Stereophile.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
My last Far East trip
First comes the anticipation, that initial jet of warm water, that miraculous searching, finding the sweet spot, then heaven on earth as it cleans and caresses.
Riding the Common Wave
In the e-commerce era, brick-and-mortar dealerships must give customers compelling reasons to stop by. Los Angeles hi-fi dealership Common Wave's owner Wesley Katzir keeps customers coming through the door with a simple idea: that music matters in our everyday lives and that what he enjoys, other people will enjoy, too.
Mind Games to the bottom of the rabbit hole
After a wild decade in the biggest pop music group ever, John Lennon's post-Beatles years were spent in protest, in various kinds of therapy, in immigration court, and in search of a new musical identity.
Trane meets the Motor City
Detroit became a destination for migrating African Americans early, starting with the Underground Railroad; the city's proximity to Canada was convenient for those seeking to escape Southern slavery.
Vital art never rests
At this late date, it seems impossible that there could still be \"lost\" albums lingering in the vaults by musicians as important and successful as Johnny Cash and Paul McCartney.
DUKE IN 10
TO COMMEMORATE THE 50TH ANNIVERSARY OF DUKE'S DEATH, ROBERT BAIRD SELECTS A DOUBLE HANDFUL OF EXEMPLARY TRACKS FROM PERHAPS AMERICA'S GREATEST MUSICAL GENIUS.
Piega Coax Gen2 811
It's funny how we discover some music in unexpected, twisting ways.
Pass Laboratories XP-27
One of the pleasures of reviewing-and also using-products from Pass Laboratories is an encounter with Nelson Pass's writing, which can usually be found in the owner's manual and is always competent, insightful, and sometimes funny.
EMT 928 II
Modern turntables are a paradox.
Dynaudio Contour 30i
Ah, Denmark. Land of the Vikings and blue-eyed, blond-haired folk with faces sculpted just so.
