Hi-fi is at a crossroads. One road takes us toward modernized versions of the gear we grew up with, stuff that has been around since the 1950s. The other road faces the future. While sometimes accommodating physical media, including vinyl records, that's not where that road leads. On that road, streaming is the norm, and equipment may be hooked up with traditional signal cables or with no cables at all, just GHzrange electromagnetic radiation, the digital kind. In the more extreme cases, the music may remain digital all the way to the amplifiers, which themselves are likely to be class-D.
I keep a foot on both paths, hoping they don't diverge so much that they split me in two.¹ I've got a substantial collection of physical discs, black and silver, and I play them often. But I love the convenience of my network-attached storage (NAS) appliance, Qobuz, even lossy Spotify, especially when I want my world filled with music for hours with no thought or action on my part.
I do still play CDs-I wasn't lying when I wrote that-but many of my CDs sit on shelves collecting dust because I long ago extracted their data, now stored as lossless rips on a NAS. I listen to those more often, played back on my dCS Bartók streamer/DAC, mostly via the dCS Mosaic app. It's the same for LPs: Some still get spun occasionally, but many of them have been ripped-needle-dropped, digitized, and loaded into the NAS. They get "spun" far more often in that form.
We all have roots in the past; that's the nature of things. But new technology is cool, and the future is streaming and wireless. I try to stay curious and, as I said, to travel both roads.
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Denne historien er fra October 2023-utgaven av Stereophile.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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INSTANTLY ICONIC
AUDIO SALON HOST/ENTREPRENEUR/SYSTEM AND FASHION DESIGNER DEVON TURNBULL'S RECORD-BREAKING ART OF NOISE SHOWING AT SAN FRANCISCO MOMA.
Buckeye PURIFI EIGENTAKT 1ET9040BA1
Back in 2016,' I documented the rise of class-D amps using the early Tripath technology. Used in the Bel Canto eVo 200.2, TriPath cracked open the door to the High End but was never admitted due to a dim and opaque treble.
Moon 891
No less than eight boxes, powered by six after-market power cables, comprise my current reference front-end.'
Clearaudio Signature
The Clearaudio allowed each mix, each sonic artifact, to reveal its unique character.
Gryphon Audio Designs Diablo 333
What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker.
The Rega Naia Turntable. Add Lightness.
To watch as Rega very slowly expands its turntable offerings upmarket requires the patience of a Thomas Pynchon addict waiting for each new tome from the notoriously slow-working and reclusive author.
Phono Preamplifier Seduction
Give me the seduction, give me the pleasure,\" Ron Sutherland was nearly shouting into the phone. \"I want to turn off the analytical mind and just enjoy myself!\"
Record Player Revelations
Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.
Taking Care of Business
As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.
Estelon X Diamond Mk II
Taste is a funny thing. Love cilantro? Millions swear it tastes like soap.