The art deco structure is surrounded by perfectly manicured lawns dotted with hydrangeas, Asiatic lilies and irises in full bloom; a chinar tree stands in the centre of the garden.
The hotel stands on the banks of the Nigeen Lake, which is populated with waterlilies and shikaras. In the background is the Zabarwan mountain range, within which the valley of Kashmir lives.
The view from the first-floor landing—a Murano cut-glass chandelier hangs from the khatamband ceiling, lighting the deodar staircase and its many antiques. The copper vases seen here are carved with tales from ancient folklore; between them are frames of Arabic calligraphy on sheepskin. Facing page, top: One of the 14 suites at the hotel. Facing page, bottom: In this first floor sitting area, an antique mahogany cupboard displays pieces from the family’s collection of Chinese porcelain vases and tiles of European origin.
This enclosed first-floor veranda was made for taking in the spectacular view of the lake. Mirrors placed opposite the window offer a second view of the lake. The carved walnut table acts as a design motif for each room—vintage lamps and teak chairs complete the space.
A cobblestone path lined with spring flowers leads one into to the front lawn of Dar-Es-Salam, with a majestic chinar tree in the middle. It’s instinctive to walk towards the far side, where the lawn ends and the lake begins. If you turn around at that moment, the art deco building rewards you.
This story is from the July - August 2021 edition of AD Architectural Digest India.
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This story is from the July - August 2021 edition of AD Architectural Digest India.
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