<div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always"><b>The recent body of </b>work by graphic designer and artist Sameer Kulavoor currently on show at the Mumbai-based gallery Tarq is a fitting reflection on the last one year we have had. The lockdown following the Covid-19 pandemic has been bookended between two crucial protests &ndash; the student protests against the NRC and CAA bills that began in December 2019 and the protest by framers going on just now against bills by the central government again. What has life &ndash; the life of the individual and the public life meant for all of us, or anyone of us in this one year. This one year has made us realise how frivolous we are in certain ways as a civilization and a society, and how incapable and undeveloped we are as professional societies be it medicine, governance, or politics. The protests and pandemic has shown us our dirty insides &ndash; corrupt, incapable, and unwilling. One may argue against this with stories of hope and heroism; yes human life, society, and civilization has enough tenacity to survive, build back, bring out the good in human hearts and minds&hellip; but let us not cover the wrongs that we wake up to everyday in stories of hope and heroism. This pending conflict between the need to reflect on our civilization and societies, while the ability to work for an argumentative, democratic, and human society should be imagined, invested in, and struggled over is what Kulavoor&rsquo;s recent body of work captures. The artist in Kulavoor has captured the unsaid ruminations of our minds, as we live and work in India today.<img src="https://magarticles.magzter.com/articles/827/572866/5ff300e3a37fa/1609761202_loc.jpg" owidth=2213 oheight=1093" style="height: 395px; width: 800px;" /><div style="page-break-before:always; page-break-after:always"><p>The public life and the private self both stand challenged, and at dangerous thresholds. The collective is distributed across private spaces, faked over screens, while the private space stands pushed into further loneliness of the mind, the longing for publicness. The street is no longer a space but only a thoroughfare, and you go to the balcony to rescue yourself when the world is not out banging chauvinist patriotism. Infrastructure continues to dig and build for an imagined public, where now you hid your face and precariously engage with every human encounter. The protest reverses the pandemic, because its fights the virus of corrupt thinking by asking you to be public, to &lsquo;read and resist&rsquo;, the freedom of thought and engagement with voices and minds beyond your own. The city the people left, the migrant was forced to live then becomes only a physical and social caricature of its own dreamy aspirations. The beautiful city, with people locked indoors or only in their phones, is no city at all. What will be this city, that will emerge from the pains of protests and pandemics? It will be a city and society, the landscape of human civilization not any longer divisible in the binary rural-urban or the amusing term &lsquo;rurban&rsquo; that will need a discerning set of ideals and processes of reconstruction and restoration. Kulavoor&rsquo;s recent body of work brings us to a point of reflection, collating our shared experiences over the last one year, nudging the mind to unlock out of safety-nets and address actively the emerging new (and one does not mean here the other amusing coinage &lsquo;new-normal&rsquo;)&hellip; because the normal changes and we never realise, the protests and the pandemic expose the normalized changes, and we will have to work with discerningly setting up, constituting-reconstituting, restoring, ideals and processes for the emerging life and landscape.</p>

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Domus India

Seeing Time: Public Clocks Of Bombay 

Place Matters - Where Would We Be Without Places

The strength of the column

The Verandah Clubhouse 

RAAS Jodhpur

Walking Through Soul City Ek Sair Ruh ke Sheher mé 

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Curatorial Structure and Wall Texts

Baradari, City Palace Jaipur 

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