in her 2013 series The Aunties Project, a collection of nude oil paintings starring a group of older women—affectionately nicknamed “the aunties”—in all of their highly detailed glory.
“They’re more than just my mom’s friends,” she says of the aunties, who make an appearance in her latest body of work. “They are particularly incredible people. They are much more comfortable in their bodies than many people are in our society.”
By placing her subjects out in the elements, the artist juxtaposes their soft flesh against the hard contours of cliffs and rocky surfaces. Real, raw and unfiltered, the works are a celebration of what it means to be human. Chapin shows that there is beauty in every crease, every wrinkle and every edge. Hence the title for her upcoming show, What Happens at the Edge, on view this fall at Flowers Gallery’s New York location.
“Since winning the U.K.’s esteemed National Portrait Gallery BP Portrait Award in 2012, Aleah Chapin’s nude portraits have continued to provoke and inspire audiences with their portrayal of joyful resistance, energy and strength,” says gallery owner Matthew Flowers. “Her new work in What Happens at the Edge broadens the debate around the visibility of aging or so-called imperfect bodies in images of everyday life.”
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Esta historia es de la edición October 2019 de American Art Collector.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
