He remembers going to parties, during those ancient pre-pandemic times, and being fascinated by windows sills, walls with interesting textures or shapes, or banged-up floors. “People probably thought I was weird, but it was those simple things in the world that were my subjects,” he says. “It wasn’t even about exposing the beauty, but just about using these objects as a launchpad to talk about more formal issues involving painting.”
This story is from the June 2021 edition of American Art Collector.
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This story is from the June 2021 edition of American Art Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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