ANEKA INGOLD’ S EMPOWERING, DEITY- LIKE FIGURES WIN THE INAUGURAL BENNETT PRIZE AT THE MUSKEGON MUSEUM OF AR
On May 2, painter Aneka Ingold was sitting in a crowded reception hall and as the artists around her were being honored her mind drifted back to the studio. “Tomorrow, it will all just get back to normal. I’ll just go back to my studio and that will be it,” she remembers thinking. “But then they called my name and it was like a dream.”
The award she won was the inaugural Bennett Prize, created to honor the work of figurative realist women painters, and while she was up on the stage preparing to accept the award all she could do was take a deep breath. “This is going to change my life,” she said to herself on the stage. Bennett Prize co-founder Elaine Melotti Schmidt overheard her. “She tapped me on the shoulder and whispered in my ear, ‘You are changing your life,’” Ingold says.
It’s a small distinction, but one that shook theyoung artist to her core, and one that forms the foundation of The Bennett Prize, which put out a call to women artists all around the country so it could find artists who were exploring those key insights that are underrepresented in the art world. More than 640 artists applied, each one offering a unique perspective as a woman living in the 21 st century. Ten finalists were chosen for the award, which was given out at the Muskegon Museum of Art in Wisconsin. And from those 10, Ingold’s work was selected for The Bennett Prize, which honors the great achievements women are contributing to realism in America and beyond.
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Denne historien er fra July 2019-utgaven av American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
