Jitish Kallat. A view of Palindrome/Anagram Paintings (2017-18) installed at Epicycles (2021).
Norrtälje konsthall, situated in the town Norrtälje, an hour north of Stockholm by car, presents two parallel exhibitions by Jitish Kallat and Reena Saini Kallat. Reena Saini Kallat is a former residency grant holder at the IASPIS (The International Artists Studio Program in Stockholm) and has taken part in a couple of group exhibitions in Sweden. Jitish Kallat's work, to my knowledge, has never been presented in Sweden before.
The two exhibitions, from the 19th of June to the 26th of September, are rather different both in their formal attributes as well as in the subject matter they deal with. One can, however, find a connection between the two artists' practices in that they deal with questioning divisions of different kinds. In Jitish Kallat's work, these enquiries occur at an abstract philosophical level with works that blur the distinctions between the intimate and the faraway, the constructed and the organic, the rational and the mythological. In Reena Saini Kallat's works, the divisions explored are of geopolitical origin - borders established by nation-states and their overwhelming consequences.
This story is from the November 2021 edition of Art India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2021 edition of Art India.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.