Natalie Milner Delves Into The Life Of This Remarkable Painter Who Broke Boundaries For Female Artists
1 HER SAME-SEX NUDE SHOCKED CRITICS
Claude Phillips of The Telegraph described Dame Laura Knight’s Self-portrait as “dangerously close to vulgarity” when it was exhibited at the Grosvenor Gallery’s International Society show in April 1913. In the image, she is painting a nude female model – friend and artist Ella Naper – challenging the conventional heterosexual hierarchy of the male artist/ female model relationship. Self-portrait is now considered a major work in the history of female self-portraiture.
2 A ROLLS-ROYCE AND TWO GYPSIES
This story is from the July 2017 edition of Artists & Illustrators.
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This story is from the July 2017 edition of Artists & Illustrators.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
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Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
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Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
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Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration