Rose Dufton
ARTIST AND PRINT DESIGNER
“I use my sketchbooks for a few different reasons, and I have several on the go at once. My favourite would have to be Moleskine’s watercolour sketchbooks, they come in varied sizes and are landscape in format. I have also just bought some Royal Talens’ Art Creation ones, which I am enjoying working in for a change as they are portrait format. I mainly use watercolour paints, as well as brush pens and gouache.
“I sometimes use sketchbooks to make thumbnail sketches for larger paintings. However, the main use would be to experiment in. I like to see them as mini journals of ideas, rather than curated places with pretty pages. Don’t be scared by a sketchbook. Try not to keep them precious and perfect as if you do you will never use them. In my opinion, sketchbooks should be played with and used as a place to let ideas flow, as that is when the best kind of accidents happen that can spark incredible ideas.” www.rosedufton.com
Jen Russell-Smith
ILLUSTRATOR AND AUTHOR OF THE JOY OF SKETCH
Denne historien er fra June 2021-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra June 2021-utgaven av Artists & Illustrators.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
