Down The Road Of Stories
Arts Illustrated|June - July 2018

Discovering Auckland’s mood in graffiti with a walk down K-Road gives a colourful recap of the city’s past few decades

Supriya Sehgal
Down The Road Of Stories

As a travel writer, a measured pace of discovery when visiting a new town is hardly a virtue I can tout. Instead, I cannot wait to be let in on the local scene – be it food, music, hippest pubs, most-legged hikes, or places that only discerning travellers frequent without a worry of holidaying hordes. The only way to speed up deciphering the true character of a city is to latch on to a local who calls it his or her home.

Fortunately for me, when I arrived in Auckland, I met Paul Walsh, a graffiti artist who agreed to walk down the oldest thoroughfare in the city – Karangahape, or simply K-Road. The two-hour stroll revealed an unpretentious city, honest to its muddled Polynesian heritage that has been overtaken by the rapid march of development. But one that hasn’t lost its striking character. Our prism was the unsaid graffiti-hood of Auckland – K-Road – a colourful recap of the city’s past few decades.

We met at the St. Kevin’s Arcade on Karangahape Road, a seemingly innocuous start to the walk. I was expecting a dingy street with a decided ramshackle seediness about it, but the arcade was an insipid building with modest restaurants, pharmacies and tailoring shops. It was only when we walked down to the steps of the basement that the foot-to-ceiling wall of bold colours excited the eyes. Paul explained that the genesis of Auckland’s graffiti scene was never wedged in the dark anguished backdrop that melded with the hip-hop culture of the 1980s. It was simply the voice of a few artists in tight groups who moored their artistic expression on these walls. The relationship between the city, the artists and the breed of taggers that comes in the wake of graffiti has had its ups and downs. ‘Taggers’, he explained, ‘are an incorrigible bunch of youngsters who deface the graffiti by writing or scratching on it’. The relationship of both illegal activities is a tenuous one.

This story is from the June - July 2018 edition of Arts Illustrated.

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This story is from the June - July 2018 edition of Arts Illustrated.

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