Harold William McCauley was born in Chicago on July 11, 1913. His father, William James McCauley, was born in Chicago on December 28, 1890, and was of Irish ancestry.
Harold’s father, William James McCauley, worked at a local brewery, and he continued to work there even after Prohibition began in 1920, which reflects the power of the beer industry in Chicago during the roaring ’20s.
In 1927, at the age of 14, Harold McCauley began a three-year program of basic training in weekend art classes at the Art Institute of Chicago. His most influential art teacher was the famous illustrator, J. Allen St. John (1872-1957), who introduced the young artist to the sensational literature of Edgar Rice Burroughs. For the rest of his life, McCauley remained an avid reader of fantasy adventure stories and science-fiction.
In June of 1931, Harold McCauley graduated from high school in Chicago, after which he entered the work force. His first job was as a staff artist at the massive Cuneo Press, an engraving house located at 2256 Grove Street. The company produced most of the newspapers and magazines that served midwestern America.
In 1932, McCauley began to take evening art classes at the American Academy of Art in Chicago, where his fellow students included Gillette Elvgren (1914-1980).
This story is from the Illustration No. 59 edition of Illustration.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Illustration No. 59 edition of Illustration.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.