A common misconception or perhaps even an apprehension that looms over architectural practices, is, that design services or consultancy are meant for the affluent few. While the architect&rsquo;s certification is imperative to construction; aesthetics, sound design, inspirational built-form is not always a prerequisite. That&rsquo;s a privilege reserved to maybe those who can afford high budgets; budgets that can accommodate time, exemplary material, engineering technologies and more. Needless to say, with high budgets, the product or the building is often one that ticks all the correct boxes. Or at least, most of the time, the client is happy with the service and product rendered to them. But the elephant in the room is seldom addresses - the fact that when budgets are liberal, the outcome is bound to be brilliant. Rather, the outcome should be brilliant, inspirational and astute. If otherwise, then perhaps much is left undesired and a lot needs to be questioned given the criminal waste of not only money, but also opportunity.<img src="http://magarticles.magzter.com/articles/2226/311687/5bdc493512193/1541163232248.jpg"" owidth=945 oheight=1418" style="height:700px; width:467px" />However the aforementioned does not take away from the ingenuity, skill and endeavour of any practice or an investment-heavy building. Capital is essential for successful ventures. It is only when there is capital and resources at disposal can one take risks, experiments and offer new ideas to not only architecture but even other vocations. Even to research low-cost techniques, a &lsquo;cost&rsquo; is involved. And time again much good work is the outcome of abundant or at least sound capital or some kind of patronage. But again, what does this entail for the commoner? For most city-goers, lives are bound inside grids of rectangular beam-column bays. The apartment typology maximises the reinforced cement concrete (RCC) technology and is perhaps the commonest method of building today. And even though RCC too has had its share of architectural marvels being fashioned from it, there is perhaps little that the &lsquo;commoner&rsquo; has revelled in.But what options does that leave for most of us? Plenty still, as exemplified by the Commoner&rsquo;s Nest designed by unTAG Architecture and Interiors. The residence in Zidke is built for a biology professor and landscape enthusiast at a cost of INR 1500 per square feet. The cost involves the cost of construction along with fixed furniture for the house. The brief provided to the architects instructed them to work within the tight budget to build him a &lsquo;house of his dreams&rsquo;. Beyond the budget, the client aspired for a home that would break away from the vernacular language of the region; of sloping roofs and Mangalore tiles on single storeyed structures. While sloping roofs are essential in tropical regions like Maharashtra, the man wished for a slightly modern aesthetic.<img src="http://magarticles.magzter.com/articles/2226/311687/5bdc493512193/1541163244084.jpg"" owidth=1063 oheight=598" style="height:394px; width:700px" />The architects responded by devising a form in conventional RCC construction of beam and column grid. They tweaked the proportions and incorporated a play of volumes and offsets to render it grandiose and visual interest. The grandiose is invoked as the entrance lobby in the west is a double-height foyer of 18 feet with a lotus pond. While the lobby could have been at a regular 10 feet height, the architects doubled the volume by simply increasing the ceiling height. The subsequent living room ceiling is at a humbler height of 10 feet leading to a verandah facing the east, with a further 2 feet drop. By virtue of varying levels, each space offers a new experience to the user as they manoeuvre through different scales. While the entrance awes, the subsequent spaces imbibe comfort and grounding. And within these details, the architects further explored and experimented with opportunities that arose. For example, when the living room verandah was dropped by 2 feet, the resultant sunken slab on the terrace was used a flower-bed. The entrance foyer at 18 feet frames the panorama of mountains when viewed from the upper terrace.<img src="http://magarticles.magzter.com/articles/2226/311687/5bdc493512193/1541163271338.jpg"" owidth=1063 oheight=610" style="height:402px; width:700px" />While no sloping roofs transpire in the building, the climatic conditions are taken into consideration to protect from rains and harsh sun of the tropics. The rooms are provided with windows on two sides and slit windows at corners enable cross-ventilation. The verandahs buffer the main residence from the external hot and humid environment. The verandahs face the west and east, the directions that receive maximum and direct glare. The west verandah is used during the first half of the day and the east verandah during sundown.<img src="http://magarticles.magzter.com/articles/2226/311687/5bdc493512193/1541163271451.jpg"" owidth=1066 oheight=501" style="height:329px; width:700px" />They may receive direct glare but screen the living room from the same. The home remains well-lit, but not with the harsh glare or direct sunlight. The core enveloped by the verandah is screened by a layer of vegetation planted by the client who wanted to screen the residence from the vicinity. Not only did the architects not cut a single tree, but also ensured that the lawn, gardens and vegetation were captured as vistas by the building. The term &lsquo;nest&rsquo; is derived from this attribute of being nestled by trees in a cocoon of sorts.The house, while sheltering from certain climatic concerns is designed to connect the outdoors and maximise the client&rsquo;s efforts of landscaping his land. It offers heightened experience of the outdoors and indoor living as the architects consciously created the structure to look at elements rather than be looked at. The exaggerated proportions, affable aesthetics adds to the quality of space that is used by the client and reflects in the exteriors. The balance, a sense of composition and proportion in the exteriors is definitely intentional and not simply derived after crafting the interiors because even as the building peeps through the foliage, the structure is oddly comforting to look at. Even sans ornamentation, cladding or any conscious effort to visually enhance any feature, the imagery of the building is not one that can be forgotten or overlooked.

Uncommon Ideas For The Common Man - A Commoner's Nest, Zidke, Maharashtra

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