Teapot I, oil and acrylic on paper, 22 x 15" (55 x 38 cm) I made this painting in 2017, but it feels like a lifetime ago. With this piece in particular, I felt that I had turned a corner in painting realism that set me on a path to where I am today. The teapot is painted in thinned-down oils, which is why many people mistake it for being a watercolor painting.
This story is from the December 2021 - January 2022 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the December 2021 - January 2022 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
A Sense of Depth
A solid grasp of foreground, mid and background makes Colley Whisson's scenes come to life
Peaceful Places
Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes
School's in Session
A look at some of the many in-person and online art classes and workshops available today
Collaborative Environment
In this special edition of Beyond the Palette, we asked Scottsdale Artists' School executive director Trudy Hays a few of our own questions-about the benefits of art school, community and more
Flying COLORS
Artist David Barclay discusses how to pack painting gear for air travel-managing bulk, weight restrictions and more
Keep It REAL
The Art Renewal Center bolsters the support and reverence of traditional representational art
BUILDING AN ART CAREER ONLINE PART I
In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
EDWARD FRAUGHTON
Sculpting the Spirit of the American West
Preserving the Soul of Art
Throughout human history, people have used art to express themselves, record their daily activities, capture moments and share their emotions.
Intrigue in the ordinary
I've \"'ve never had any formal training always had a strong attraction to the arts and the practice of painting
