Remember, remember always, that all of us, and you and I especially, are descendents from immigrants and revolutionists.” ——Franklin D. Roosevelt [1882-1945], 32nd Presisent of United States
‘Miyah’ is street slang in Assam for the Bengalorigin Muslims of Assam. The word has gained new meaning and relevance in the light of ‘Miyah poetry’ written by poets from the community. The older, more widely accepted term for the community was ‘Char Chapori Muslims of Assam’. The chars and chaporis are riverine islands and riverbank villages of the Brahmaputra which flows through a stretch of 860 kilometres in Assam and cleaves the state almost through the middle. According to the 2001 NSSO census, there are 2251 chars and chaporis or riverine islands in 23 districts of Assam spread across the length of the state. About 9.37% of Assam’s total population lives in these chars, consisting of a majority of Muslims.
The villages of the chars are of a temporary nature. I grew up in a village situated not directly on the river bank but a couple of kilometres inward. The difference between our stable village and the char-chapori villages was stark. Like most villages in the Brahmaputra valley of Assam, our own village was inundated by floods every year. It was an inevitable part of our existence, as inevitable as the fact that the floods would recede and the land would resurface. These chapori villages, on the other hand, were continuously eroded through the dry months and the chars got submerged one year and resurfaced another year, making the lives of the people who dwelled there, very transitory.
This story is from the Vol. 22, No. 2, 2019, 'IDENTITY' edition of International Gallerie.
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This story is from the Vol. 22, No. 2, 2019, 'IDENTITY' edition of International Gallerie.
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THEATRE UNDER PRESSURE.
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WHERE TIGERS ARE HAPPY!
Initiated by the Sanctuary Nature Foundation, ‘Kids for Tigers’ is an inspiring project that educates schoolchildren about the welfare of wild animals. Spearheading this program, is Govardhan Meena, a sensitive village boy who grew up to be a saviour of tigers, of forest land and their inhabitants. Born in 1980 to a Meena tribal family living on the outskirts of Ranthambhore, Rajasthan, the unassuming young man is a virtual Pied Piper for children learning about the environment. He works 24x7 with a single-mindedness, building bridges between people and parks. No wonder, the awards and certificates in his prized possession, are more than deserving for a man whose life is dedicated to helping village children seed bonds with nature’s wilderness.
DANCE LIKE A MAN!
Dancer, choreographer and actor, Revanta Sarabhai, the third generation of a famed family of classical Indian dance, believes the arts have a way of reaching out to people in an entirely different way than scientific data or information does; that performance tends to have a greater emotional and empathetic impact on people’s senses rather than only their rational brain. Believing that the arts have a tremendous role to play in championing the cause of climate change [or any major challenge human beings face globally], he urges artists to harness the power of the arts to create change. With this conviction, Sarabhai shares with us his conceptual performance questioning climate change.
DANCE OF THE ACTION BRIGADE
When a dancer is concerned about climate change issues there is a strong potential to nudge the emotions of viewers in a way that can impact an audience sometimes more quickly than an entire thesis on the subject.
CELEBRATING THE WILDERNESS
“Humanity can no longer stand by in silence while our wildlife and nature are being used, abused, and exploited.
THEATRE SALUTES THE ENVIRONMENT
Theatres evolve to reconnect us to each other and the environment
FROM TRASH TO TREASURE
Veena Sahajwalla is a whirlwind of ideas and energy, determined to tackle the mountain of waste, especially -waste generated by Australians every year. Recycling waste into ‘green steel’ and ‘green ceramics’ is the result of years of experimentation at UNSW [University Of New South Wales, Sydney]. Director of the UNSW Sydney SMaRT Centre and a Eureka Prize winner [considered the pinnacle of scientific achievement in ustralia], Professor Sahajwalla was also awarded the PLuS Alliance prize for innovation in 2017.
BITTU SAHGALSEEKING SANCTUARY
In kinship with wildlife, with nature, with the air we breathe Bittu Sahgal shares his lifetime’s camaraderie with the environment