Relying on his own imagination rather than trends for inspiration, Adam Nathaniel Furman— a master of surface and ornamentation—designs exuberant works at all manner of scales.
Milan’s Salone del Mobile is the world’s most important showcase of furniture and design—an annual trade fair in which moguls mix with neophytes, and those in the design world celebrate another year of incremental innovation. At Camp Design Gallery, positioned as part of the 2017 Fuorisalone at the fringe of this year’s event, one show stood proudly divergent from the unspoken boundaries delineated by the movers and shakers of the design world.
This story is from the October 2017 edition of Metropolis Magazine.
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This story is from the October 2017 edition of Metropolis Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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