Freelance animator and design consultant, Shashank Nimkar hopes not only to give new life to ceramic waste, but to encourage others to do so as well
What took you from animation to ceramic and glass design?
SN: I have always been a maker. Exploring materials, getting my hands dirty and making things happen is the only way I know to keep moving ahead. When I was a child my mother always kept me busy with paper folding books. In time I shifted to origami and it kept me busy for long hours. This developed a creative interest in me. During the four years, I spent pursuing a B.Des. in Communication Design at Symbiosis Institute of Design in Pune I worked on a lot of self-initiated projects, making products. I specialized in stop-motion animation as it gave me an opportunity to work with different materials and make tangible miniature sets for films.
Paper has always been my first choice of material but the products I made were not fit for use, as the paper isn’t the best fit for making daily use products. When I applied to NID for the Master’s program, I chose to major in Ceramic and Glass Design because I realized that if I could make products with clay and fire them I would have a ready-to-use product without any industrial setup or processing. Ceramics gives us an opportunity to work at an individual studio level as well as at an industrial scale setup – the process remains the same more or less. I can now understand how a product is made, from research to manufacturing, and can put the idea/product out in the market with the aid of animation. I visualized a multi-disciplinary career covering the spectrum from visual communication to industrial design. It is with this understanding of Industrial Design and Visual Communication that I am able to not just make something meaningful but also share its story and importance with others.
What kind of ‘tangible design and storytelling’ work do you do?
This story is from the POOL 107 edition of POOL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the POOL 107 edition of POOL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
A Legacy Continues
Leveraging the success of his family's export business, Naman Jain is focusing on creating a retail presence in India
Creating KAIRA
Long fascinated by Indian fabric, Nikita Gupta has launched an attractive line of contemporary apparel in traditional block prints
Stories faces tell
Aditya Narula dabbled in various vocations before he realized portraiture was the best way to express the fascinating complexities of the people he encountered along the way
time tested DESIGN
Surrounded by art and architecture as a child, Sarah Sham went on to take the family antiques business in a new direction through her interior design venture
DANGEROUSLY DELICATE
Kavya Potluri's attention to minute detail is what sets her intricate and unconventional jewelry apart
music as muse
A multidisplinary visual artist, Aaron Pinto, also known as Kidsquidy, has had an interesting journey that started with MTV and has him now working on everything from music videos to stage design
DEVELOPING A DISCOURSE
Documentary photographer Taha Ahmad believes his work has a greater purpose than merely being admired by a select audience for its esthetic value. It's when people are able to see the underside of society and understand the prevailing social injustice that the work tries to reveal that it is truly worthwhile.
Tiny little Stories
Creating miniature worlds allows Ruchika Nambiar to continue to play childlike games of make-believe
The Richness Of Handmade
Amit Vijaya and Richard Pandav are committed to bringing together many hands and hearts through their clothing label ‘amrich’
The perfect balance
Aniruddh Mehta is as much graphic designer as visual artist, and he tries to do justice to both through his work at Studio Bigfat
