Fierce Vixens And Altered Beasts
Skin Deep|Issue 283

Longhaired, furious vixens stare defiantly, ready to meet battle in Isnard Barbosa’s stunning tattoos. With warrior like calmness each woman readies for attack, their perfect resemblance to the human form gives the impression they will rip right from the skin to meet head-on with antagonists drawn from the pages of fantasy

Steven Kenny
Fierce Vixens And Altered Beasts

It is difficult to not make clear reference to the Art Noveou style in Barbosa’s work, which the tattoo-ist so lovingly conjures in his seductive women and their endlessly flowing locks. It could have been easy to fall into the trap of merely sexualising such women for male aesthetic pleasure. Instead the tattooist, with clever use of depicting expression, empowers each woman with the boldness and clarity of authority and pride. They present an innate sense of power; their ability to take down those who confront them is easily read on each of their faces. These women are not submissive victims so readily found in the horror genre but confident and strong, ready to defend themselves. In some of the tattooist’s work furious beasts accompany a vixen, almost like spirit animals these creatures stand by each warrior’s side, altered beasts tamed and ready to engage with the enemy.

You have a very distinguished art style, how did it begin? And how has it evolved?

There’s no secret, I think my style is a consequence of my past, I’ve done realistic, Japanese, graphic etc and now with all this knowledge I can build something, combine it all, and create something new. 

Where do you take your inspiration from?

I take my ideas mostly from 19-century art and digital artists. There are too many goodies online that people can look at and be inspired by! I seriously avoid looking at other tattoo artists because there’s a lot out there that I like, and it makes it hard to create something fresh and to not be influenced too heavily by others work. So I try to diversify and immerse myself in inspiration. I sometimes like to sleep on it and create work from memories I’ve absorbed.

Are there any specific artists who you feel have developed your practice?

This story is from the Issue 283 edition of Skin Deep.

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This story is from the Issue 283 edition of Skin Deep.

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