Rage Against The Machine

Is La La Land just a breeding ground for misogyny, medical mishaps and moral bankruptcy? MEGAN FOX talks to P.RAMAKRISHNAN about her life in film as she prepares to re-enter the fray.

- P. Ramakrishnan

There’s something fantastically quirky about this quintessential Hollywood hottie. She’s starred in several action films and an equal number of comedies, both television and film. The dare-to-bare magazine shoots she’s done (listed in every “hot” list or “most beautiful” roster) versus the zany interviews she’s given on talk shows where her tongue-in-cheek quips seem at odds with her chic glamour; the old-school femme fatale vibe she exudes versus the distinctly non-diva behaviour on set. It’s all so incongruous and unexpected.

From the outset when she first appeared on sitcoms, there was no denying how incredible she looked – her comedic counterparts commented on her bombshell physicality. Beautiful women generally aren’t expected to be that funny – “You need a fly in the ointment of comedy,” said Fran Drescher, star of the popular 1990s sitcom The Nanny, who has stunning looks, “But then, God gave me this voice so I was meant to lead in a situation comedy!”

Megan Fox, however, has no such aberrations. The breathy cadences, those laser-focused blue eyes, curves in all the right places, a body covered in tattoos, that slick black hair and her revealing gowns on the red carpet ... yes, there have been comparisons with Angelina Jolie, “but I felt more of a kinship with Marilyn Monroe”, she says.