We discover how teams can get the most from each other by talking to AOP agent Siobhan Squire and Ben Stockley, a photographer she represents
Getting the photo you want depends on briefing your photographer correctly. We spoke to AOP agent Siobhan Squire and a photographer she represents, Ben Stockley, to find out the best way to go about this.
How should art directors brief a photographer?
Siobhan Squire: It’s always nice to have a scamp rather than just a written brief for advertising work. It’s also great if creatives have some idea of the scale of the job before briefing.
A good creative will be available for a discussion with a photographer. It’s crucial, not only to gauge how a photographer might interpret the brief and to hear what they might add to it, but also for a photographer to glean any finer details that might not be apparent and to start what should be a collaborative discussion. For editorial work, the joy is what is often an open brief!
What makes a brief work?
This story is from the Spring 2018 edition of Computer Arts - UK.
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This story is from the Spring 2018 edition of Computer Arts - UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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