Looking at Jorja Chalmers’ life thus far you could easily conclude: ‘you certainly make your own luck’. That’s because Jorja worked hard building the foundations of a successful music career early on. At just five she started learning piano; little more than a decade later she was teaching music, and not a lot longer after that she was studying at Sydney’s Conservatorium of Music. Yet ironically, only once she turned her back on studying and shipped over to the UK, did her break come, and she ended up touring with the likes of Take That, Ting Tings and Bryan Ferry as both keyboard player and saxophonist. Wiki describes her as (we’re not proud but we do like this quote) someone who “steals the show, blasting out the sax lines with a refreshing brashness”. Live credentials aside though, Jorja has just unleashed her latest album, Midnight Train. Mixed by Dean Hurley, David Lynch’s engineer, the album ‘cannibalises’ and then rebuilds influences including YMO, Michael Nyman and The Terminator, and has been described as a hypnotic work of Gothic grandeur. Questions, questions…
1 Tell us how you got into music production in the first place?
Jorja Chalmers: “I grew up in Sydney in a musical home. My mum played the guitar and sang and my dad built himself these incredibly powerful speakers and used to play everything at top volume. I started mucking about on the piano when I was about five and eventually started to write my own songs. I learnt saxophone in high school and went on to study at Sydney Conservatorium of Music.”
This story is from the September 2021 edition of Computer Music.
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This story is from the September 2021 edition of Computer Music.
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