Boris Brejcha
How does a pro juggle studio time with a hectic touring schedule? We caught up with the “hi-tech minimal” purveyor at ADE 2019 to find out about the man behind the mask…
CM : Are you a hardware or software guy?
Boris Brejcha: “Only software. No hardware. When I started producing, I had no money to buy hardware, and at that time, you could download the software for free, so it was the easiest way for me to start making music. Since then, I’ve tried hardware, but I like software more – the total recall, not having to plug in gear, and the convenience.”
CM: How exactly does the workflow of software help you?
BB: “For me, it’s much faster. I was born to produce with software! The sound is awesome, and it’s just a matter of taste. Fair enough if you like getting hands-on with a hardware synth, but I’m more of a ‘mouse guy’, happy to click away. I have one MIDI keyboard to play like a piano, but that’s it. I love it that way!”
CM: What software do you use?
BB: “I started with Cubase, and I still use it today – I’ve known how to use it for years. I was playing live around five or six years ago, using Ableton [Live] for that – it’s a great piece of software, just like Logic or FL Studio. More and more people are using Ableton, but all software is good if you like it and you’ve learned your way around it.
“One key reason I use Cubase is because it’s easy on the eye. For me, the UI looks better than Ableton or Cubase, and I like its overview of the timeline.”
CM: What about your favourite plugins?
This story is from the January 2020 edition of Computer Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 2020 edition of Computer Music.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sonuscore The Score $399 PC MAC
The Score comes up with a film soundtrack based on your stylistic choices, but that’s just the start of it. Andy Jones scores The Score
Baby Audio Humanoid $129 PC MAC
Humanoid brings the ‘extreme’ and ‘radical’ to the world of vocals, but is also one of the easiest plugins to use and abuse, says Andy Jones
The Synth Factory Horizen $129 PC MAC
A synth/sampler that packs in a lot of power at an almost silly price - despite its low profile, Andy Jones gazes at Horizen...
Flow Mastering Suite $15/month PC MAC
Mastering your music just got as easy or as complex as you want. But, Andy Jones asks, is it worth yet another monthly subscription?
Universal Audio LA-6176 $299 PC MAC
UA has bundled three of its classic emulations into one channel strip. Is this analogue dream your ideal plugin team? Andy Jones finds out
Rack'em up...
IK Multimedia has announced a comprehensive update to its mixing and mastering software, T-RackS, that brings some smart mastering additions
FX Collection 5 €499
Arturia's huge bundle of effects gets its regular update and it's still easily as essential as the company's V Collection
Make a pulsing bass with GForce Axxess
Get mechanical, with a garage-inspired bass patch, which gets right to the pulsing heart of the Axxess synthesiser
The software that shaped us
Computer Music has had a 25-year history, and over the life of this magazine, the technology behind music production has changed beyond recognition. Here are the products that set the stage for the modern world…
PERFECT VIRTUAL GUITAR!
Need a great guitar sound, but lacking any guitar-playing contacts, or the skills to play it yourself? Have no fear, your computer is here! With a few pointers, buying advice and hands-on tips, you and your PC or Mac can emulate the greatest guitarists in the world…