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Hatagaya Lore Bryan Washington
We moved to Tokyo from Dallas because of my husband's job, an unexplainable tech gig.
A MATTER OF FACTS
On the loss of two sons.
OPEN SECRET
Why did police let one of America's most prolific predators get away for so long?
BEYOND THE CURVE
In medicine and public health, we cling to universal benchmarks—at a cost.
Richard Brody on Pauline Kael's "Notes on Heart and Mind"
When Pauline Kael joined The New Yorker’s staff as a movie critic, in January, 1968, the world of cinema was undergoing drastic change.
CHORAL HISTORY
“The Alto Knights.”
THE ELEMENTS OF STYLE, 2025
Reliable news coverage has never been more important than it is now. Journalists must remain vigilant and rigorous in the face of a second Trump Administration. To help them do so, we are releasing an updated version of Strunk and White’s “Elements of Style.” Please refer to the following examples when writing and reporting, for as long as that’s still allowed.
CHARACTER STUDIES
“Purpose” on Broadway and “Vanya” downtown.
DO YOU KNOW JESUS?
Why the Gospel stories won’t stay dead and buried.
HOME SLICE
The making of an Indian American specialty.
LANDSCAPE MODE
Dirty Projectors' symphony for a burning world.
COMMUNITY PROPERTY
Who gets to determine the meaning of divorce?
THE FRENZY Joyce Carol Oates
Early afternoon, driving south on the Garden State Parkway with the girl beside him.
UPDATED KENNEDY CENTER 2025 SCHEDULE
April 1—A. R. Gurney’s “Love Letters,” with Lauren Boebert and Kid Rock
YOU MAD, BRO?
Young men have gone MAGA. Can the left win them back?
ONWARD AND UPWARD WITH THE ARTS BETTING ON THE FUTURE
Lucy Dacus after boygenius.
STEAL, ADAPT, BORROW
Jonathan Anderson transformed Loewe by radically reinterpreting classic garments. Is Dior next?
JUST BETWEEN US
The pleasures and pitfalls of gossip.
INHERIT THE PLAY
The return of “A Streetcar Named Desire” and “Ghosts.”
LEAVE WITH DESSERT
Graydon Carter’s great magazine age.
INTERIORS
The tyranny of taste in Vincenzo Latronico’s “Perfection.”
Naomi Fry on Jay McInerney's "Chloe's Scene"
As a teen-ager, long before I lived in New York, I felt the city urging me toward it. N.Y.C., with its art and money, its drugs and fashion, its misery and elation—how tough, how grimy, how scary, how glamorous! For me, one of its most potent siren calls was “Chloe’s Scene,” a piece written for this magazine, in 1994, by the novelist Jay McInerney, about the then nineteen-year-old sometime actress, sometime model, and all-around It Girl Chloë Sevigny.
THE BOOK OF RUTH
How an American radical reinvented back-yard gardening.
Techniques and cIdiosyncrasies
FEAR FACTOR
How the Red Scare reshaped American politics.
PLAYTIME
The old film studios had house styles: M-G-M’s was plush and sentimental, Warner Bros.’ stark and intense.
TIME AND PLACE
“Tatlin: Kyiv” explores a Russian Constructivist’s Ukrainian identity.
MOURNING BECOMES HER
Akram Khan’s “Gigenis: The Generation of the Earth.”
TEXAS ROUNDUP
How Greg Abbott made his state the staging ground for Donald Trump's mass-deportation campaign.
HOUSE CALL
To rent or to buy is the eternal question.