Tipped by Mozart as Haydn’s heir, Ignace Pleyel is better known today for his family company’s pianos than his music. So, asks Nick Forton, what happened?
Had you been around in the Paris of 1840 and the name of Pleyel come up in conversation, the reaction might have been: ‘Mais oui. Les pianos merveilleux fabriqués ici par le célèbre Monsieur Camille Pleyel.’ Your neighbour might have elaborated and told you that said Pleyel was the preferred piano manufacturer of the famous pianist and composer Monsieur Frédéric Chopin, no less.
But 40 years earlier, if you had been in Paris – or anywhere else in Europe – the name of Pleyel would have elicited a different reaction: ‘Ah oui – mais tout le monde connais Monsieur Ignace Pleyel, le célèbre compositeur.’ Indeed, everyone did know Ignace Pleyel, the famous composer. It is hard to comprehend today that Ignaz Joseph Pleyel (1757-1831) should once have been the most famous and prolific composer of his time. François-Joseph Fétis, an influential 19th-century music critic, wrote, ‘What composer ever created more of a craze than Pleyel? Who enjoyed a more universal reputation or a more absolute domination of the field of instrumental music? Over more than 20 years, there was no amateur or professional musician who did not delight in his genius.’ The US musicologist Arthur Mendel agreed: ‘Pleyel’s compositions were so popular in Vienna, Paris, Berlin, Leipzig, London and the Netherlands that for a time there seemed to be no other composers besides him.’ His fame spread to the US. The town of Nantucket, Massachusetts – a whaling port – formed a Pleyel Society in 1822 ‘to chasten the taste of auditors’, announced a newspaper.
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Denne historien er fra April 2017-utgaven av BBC Music Magazine.
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Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse
