Augmented Reality is opening up vast new possibilities to how people access and consume fashion, design and lifestyle. Keng yang shuen reports on how the technology is increasingly giving everyone a chance to get a front row experience – and more.
The date: March 3, 2006. The fashion cognoscenti that had descended into Paris’ Palais Omnisports de Paris-Bercy stadium was just letting the visual spectacle of Alexander McQueen’s Widows of Culloden show – wholly feathered gowns, laceswathed antler headdresses – sink in when the runway lights dimmed. Suddenly, from amid the darkness, a plume of smoke appeared, only to unfurl into a holographic vision of Kate Moss in a billowing chiffon gown, dancing languidly in mid-air like some celestial apparition to the melancholic soundtrack of Schindler’s List.
Co-created by the late McQueen and filmmaker Baillie Walsh, the emotive sight remains one of the earliest and most famous examples of augmented reality (AR) to come from the fashion world. (The rapper Tupac would be resurrected to perform at Coachella in a reportedly similar way – 15 years after his murder – only in 2012.)
These days, the term AR – first coined in the ’90s – might still sound like something out of a Wachowskis movie. How, when and by whom it’s used has, however, become far less mystifying. Ever played a round of Pokemon Go? The billiondollar grossing app (make that two billion as of 2019, actually) is usually cited as today’s prime example of AR – or tech that superimposes digital images onto a user’s view of the real world, according to the Oxford English Dictionary.
It’s not to be confused with virtual reality, or VR, which immerses users into a completely simulated environment, and typically requires dedicated equipment such as a specialised headset (think Facebook’s Oculus Rift). That a smartphone is all that one needs to access some mode of AR has essentially democratised the technology, and this has only brought about a wealth of possibilities that creative industries have tapped to transform the consumer experience.
Bu hikaye Female Singapore dergisinin June 2019 sayısından alınmıştır.
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Bu hikaye Female Singapore dergisinin June 2019 sayısından alınmıştır.
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GOOD VIBES
EVERY YEAR, CHANEL PICKS A PLACE ON THE WORLD MAP NOT ONLY TO INSPIRE, BUT ALSO TO SHOWCASE ITS ANNUAL CRUISE COLLECTION (IT’S A TRADITION THAT’S ROOTED IN THE MAISON’S EARLY YEARS WHEN COCO CHANEL PRESENTED A LINE OUTSIDE OF THE USUAL FASHION CALENDAR TO INCITE WANDERLUST FOR TOASTIER, MORE PICTURE-PERFECT CLIMES DURING THE WINTER MONTHS). THE LATEST DESTINATION: VIBRANT MARSEILLE – THE FRENCH CITY THAT RECEIVES THE MOST SUNSHINE; HOME TO AN ECLECTIC REPERTOIRE OF CULTURAL INSTITUTIONS AND LANDMARKS; AND A MAGNET FOR EMERGING CREATIVES WITH ITS MIX OF GRIT AND GLAMOUR, LAND AND SEA, AND YOUTHFUL BOHEMIAN ENERGY. THE RESULTS? A COLLECTION THAT MAKES US WANT TO LET LOOSE AND DANCE. NOELLE LOH REPORTS FROM THE PHOCAEAN CITY.
THE PARTY EDIT
Club-appropriate hits from the Resort 2025 collections
THE VIPS
SOME OF THE 17 PEOPLE SPOTLIGHTED ACROSS THE NEXT 26 PAGES HAVE BEEN IN THE NIGHTLIFE BUSINESS WAY BEFORE THE COVID-19 PANDEMIC DECADES EVEN. OTHERS LESS, BUT HAVE BEEN FOR MUCH OF THEIR LIVES DEEP INTO MUSIC, VIBING IT OUT ON DANCE FLOORS AND MAKING SURE EVERYONE AROUND HAS A HELLUVA GOOD TIME. THEIR ENDEAVOURS RANGE FROM A MODEST NEIGHBOURHOOD BAR TO CONGLOMERATE-BACKED, MULTI-CONCEPT SPACES AND A MULTIFARIOUS NETWORK OF POP-UP PARTIES, ALL OF WHICH HAVE BEEN MAKING AN EXTRA-LOUD SPLASH IN THE PAST YEAR. WHAT ELSE THEY ALL HAVE IN COMMON: THEY'RE RETHINKING AND RESHAPING PARTY CULTURE FOR THE FUTURE - OR, TO PARAPHRASE CHARLI XCX, THEY'RE BUMPIN' IT. KENG YANG SHUEN AND NOELLE LOH PUT THE CAMERA FLASH ON.
THE NIGHTS
ROUGHLY TWO YEARS ON SINCE THE COVID-19 PANDEMIC, FOLKS FROM ALL WALKS OF LIFE ARE STILL TAKING IT UPON THEMSELVES TO THROW THEIR OWN INDEPENDENT PARTIES WITH MORE EXPERIMENTAL SOUNDS, AND MORE INTENTIONAL AND INCLUSIVE EXPERIENCES THAT INJECT A ROUSING UNDERGROUND ENERGY TO SINGAPORE NIGHTLIFE. KENG YANG SHUEN TURNS THE SPOTLIGHT ON FOUR OF THE NEWEST ORGANISERS ON THE SCENE AND TELLS YOU WHY YOU SHOULD HIT THEIR PARTIES.
THE SOUNDS
THEY'RE ALL UNDER 30, MOSTLY SELF-TAUGHT AND EMERGED PROFESSIONALLY ONLY AFTER THE COVID-19 PANDEMIC. MOST DON'T EVEN HAVE A REGULAR GIG (YOU'D HAVE TO CHECK THEIR INSTAGRAM ACCOUNTS TO FIND OUT WHEN NEXT THEY'LL BE PERFORMING), BUT DON'T YOU DARE CALL THEM BEDROOM DJS. KENG YANG SHUEN SPOTLIGHTS SEVEN EMERGING SINGAPORE-BASED MUSIC SELECTORS AND MIX MASTERS WHO'VE BEEN TEARING UP DANCE FLOORS IN THE PAST YEAR AND SHOULD BE TAKEN VERY SERIOUSLY.
SHE CALLS THE SHOTS
SINCE THE 2000S, RIHANNA HAS BEEN MAKING DANCE FLOORS WORK, WORK, WORK WITH HER INFECTIOUS ELECTRONIC AND R&B-INFLECTED POP HITS. FOR ANOTHER SIDE TO HER \"QUEEN OF THE NIGHT\" PERSONA, THERE'S HER ROLE AS THE LATEST FACE OF DIOR'S J'ADORE PERFUME AND ITS ACCOMPANYING CAMPAIGN FILM. SHOT BY HER LONG-TIME FRIEND STEVEN KLEIN, IT FEATURES THE BARBADIAN BADDIE STRIDING THROUGH THE GILDED HALLS OF THE PALACE OF VERSAILLES DRIPPING IN GOLD. HERE, SHE SHARES MORE ABOUT HOW THE FAMOUSLY FEMININE FRAGRANCE EMBODIES CELEBRATION.
A Not So Common Scent
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Strange Love
The six names in this story create wildly different works that tend to blur the boundaries among disparate disciplines. All have little in common except one thing: a certain wondrousness and sense of curiosity that inspire audiences to look at familiar things anew. Keng Yang Shuen reports.
The artist
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spirited away
Collaborations with the art world have become a trusted way of injecting novelty into fashion.