Armando Iannucci has a gift for lacerating political satire, creating Westminster send-up The Thick&nbsp;of It before hopping over the Pond to take down the White House with Veep. He is able to find the humour in the bumbling errors of incompetent authority figures as well as tear them down with some&nbsp;bombastically foul-mouthed insults. However, until now the stakes his characters have had to face were no higher than losing face or, at worst, an election. In his latest feature film, The Death of Stalin, blunders are just as likely to be met with a bullet to the head as they are stinging barbs.Set in 1953, in the paranoid world of totalitarian Russia, Kremlin officials gather ostensibly to decide how to maintain control of the Soviet Union after the titular dictator dies from a stroke. However, what actually happens is the group resort to farcical in-fighting and bloody backstabbing as they each try to appoint themselves as Stalin&rsquo;s successor. This confederacy of dunces is made up of an all-star cast: Steve Buscemi&rsquo;s Nikita Khrushchev is a weaselly politician who doesn&rsquo;t hide his ambition; Jeffery Tambor is Georgry Malenkov, the heir apparent who doesn&rsquo;t have a clue what he&rsquo;s doing; Simon Russell Beale is Lavrenity Bear, the absolutely vile chief of the NKVD secret police; and Michael Palin plays a diplomat with a dash of Life of Brian silliness. As the group&rsquo;s vying for power intensifies, the ensemble cast is rounded out by Jason Issacs as Field Marshal Zhukov.That none of these transatlantic actors adopt a Russian actor is never an issue &mdash; and perhaps a blessing. Then again, the fact that Issacs actually puts on a Sean Bean-style Yorkshire brogue to play the head of the Red Army is, for better or worse, part of the reason he steals every scene.While the plot is broadly lifted from the French graphic novel by Fabien Nury and Thierry Robin, Iannucci and co-writers David Schneider and Ian Martin ramp up the sycophancy, cronyism and doublespeak that made The Thick of It and Veep required watching.Having said that, The Death of Stalin is as unsettling as it is entertaining. The horrors of Stalin&rsquo;s regime, as brutal as it was bureaucratic, form the backdrop to all the bickering and scheming. As well as name-checking real events and offering glimpses inside a gulag, guffawing laughter can quickly turn to a shocking gasp as slapstick buffoonery gives way to senseless violence. The last ten minutes of the film are particularly hard to watch as the most successful power play reaches its harrowing endgame.For the most part, Iannucci successfully walks this tricky tightrope so that it never feels like one of the darkest periods of modern history is being treated glibly. If anything, the film speaks to a deeper truth about totalitarianism, in which any situation where so few people have so much power is as terrifying as it is absurd. Disappointingly, however, the Blu-ray and DVD special features are limited to interviews with the cast and crew and deleted scenes instead of anything a little meatier.This comedy of terrors doesn&rsquo;t dismiss of the horrors of Stalin&rsquo;s reign but it does serve as a reminder to laugh in the face of trumped-up authoritarians.

The Death Of Stalin

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is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

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{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.