Dicen que en el coraz&oacute;n de la jungla el tiempo se convierte en otra cosa, que all&iacute; la memoria no se estanca sino que fluye en la savia de los &aacute;rboles y el imperecedero andar de los monos. Provenientes de un sitio por completo distinto, dos exploradores incursionan en el Amazonas en diferentes momentos del siglo XX, sin saber, por supuesto, que lo &uacute;nico que pervive bajo ese manto verde es el presente y que, en un universo as&iacute;, los limitados conceptos occidentales no tienen cabida. Tal es el caso de una de las premisas que guarda El abrazo de la serpiente, pel&iacute;cula del colombiano Ciro Guerra que, para empezar, no podr&iacute;a tener un t&iacute;tulo m&aacute;s atinado: la anaconda es, seg&uacute;n la cosmovisi&oacute;n de numerosos pueblos amaz&oacute;nicos, la criatura que dio origen a todos los seres y las cosas. Sin embargo, la serpiente puede tambi&eacute;n ser s&iacute;mbolo del infinito: el animal que al morderse la cola permite el movimiento eterno y circular del tiempo.La columna vertebral de esta singular historia &ndash;que se convirti&oacute; en febrero pasado en la primera cinta colombiana nominada al Oscar a Mejor pel&iacute;cula extranjera&ndash; es Karamakate, un solitario cham&aacute;n que conoce los secretos de las plantas y a quien Guerra nos muestra en dos momentos distintos que intercala a lo largo de la narrativa: como acompa&ntilde;ante del etn&oacute;logo Theodor KochGr&uuml;nberg, lo que acontece a principios del siglo XX, y despu&eacute;s, en la d&eacute;cada de los 40, como gu&iacute;a del bot&aacute;nico estadounidense, Richard Evans. Interpretado a su vez por dos actores &ndash;ambos excelentes&ndash;, el m&eacute;dico brujo atraviesa un proceso evolutivo propio seg&uacute;n los a&ntilde;os se suman a su cuerpo. Lejano ya de aquel joven arrogante e impetuoso que a Koch-Gr&uuml;nberg le toca sufrir, el Karamakate de Evans es un viejo colmado de sensatez y, sobre todo, de sabidur&iacute;a; en resumen, es lo m&aacute;s cercano al Don Juan de Carlos Casta&ntilde;eda que hemos visto en el cine.En todo caso protagonista absoluto, Karamakate es el punto donde implosionan dos fuerzas aparentemente&nbsp;opuestas: la del hombre blanco que, aun bajo el af&aacute;n de buscar el conocimiento &ndash;y quiz&aacute; sin percatarse de ello&ndash; pretende imponerse a toda costa, y la del ind&iacute;gena que, incapaz de interpretar tan contradictorio actuar, no puede sino rechazarlo. El blanco y negro que Guerra eligi&oacute; para su filme &ndash;que, por dem&aacute;s, le otorga un punto est&eacute;tico hermos&iacute;simo&ndash; parecen exacerbar a&uacute;n m&aacute;s los contrastes habidos entre dos mundos que, pese a sus diferencias, ceden a la posibilidad de un encuentro. Aunque s&oacute;lo pueda darse en ese tiempo sin tiempo de la selva.El abrazo de la serpiente es una pel&iacute;cula que dif&iacute;cilmente se olvida. Hay en ella sitio para el drama, la aventura y el misticismo de las yerbas sagradas, por no hablar del memorable homenaje al Coronel Kurtz de Apocalipsis ahora que guarda en su metraje y que le habr&iacute;a encantado al mism&iacute;simo Joseph Conrad.

El abrazo de la serpiente

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is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

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{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.