The South Korean tells Gary Evans how he went from being a college dropout to becoming a world-famous artist.
Kim Jung Gi steps up to a blank canvas. It’s huge – several metres wide. Pen in hand, he makes his first mark, drawing a mechanic working on a rally car. Another man rides a camel out into the desert. Dogs follow.
The story picks up the pace now. A shepherd appears, and he’s carrying an AK-47. Perspectives plunge, narratives arc, plots and subplots intertwine. Gi adds motorbikes, trucks, more cars. Finally, in the middle of it all, the artist illustrates himself: he wears his trademark glasses and hoodie, he sits quietly at a desk, and he draws.
In just a few hours, the Korean has covered the whole canvas, right up to the very edge. He’s used no references, no thumbnails, or rough sketches. He drew it all from memory. It looked like he could’ve kept drawing indefinitely.
“I have the ability,” Gi says, “to draw straight to paper whatever I visualise in my head. I twist stories out of everyday life, everything around me, every scene, no matter how ordinary. I observe everything. What you see is a moment in time, the present, but you have the artistic freedom to imagine a past and a future.”
Over 300,000 people like Gi’s Facebook pages. Half a million people follow him on Instagram. His YouTube video – like the one described above – attract as many as three million views. He’s both an artists’ artist and a comic book illustrator known and loved by people who’ve never read a comic. His clients include DC, Marvel, Riot Games and Universal Pictures. And Gi being Gi, he can remember the moment it all began.
A QUIET OBSERVER
This story is from the August 2017 edition of ImagineFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2017 edition of ImagineFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing