MISSION IMPOSSIBLE Explore the many concepts and behind-the-scenes insights that helped craft the first standalone Star Wars film.
The weight of expectation that accompanies a new art book on a galaxy far, far away is immense, given how influential the classic trilogy’s art of… books have been on today’s concept artists. Thankfully, The Art of Rogue One picks up the lightsaber-shaped baton and runs with it.
Following forewords by art director Doug Chiang, the film’s co-production designer Neil Lamont and director Gareth Edwards, the first text in this book lists all the artists featured, along with their job titles. You soon realise that Rogue One was a film where concept art mattered. “Of all the films
This story is from the May 2017 edition of ImagineFX.
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This story is from the May 2017 edition of ImagineFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing
