Director Tod Williams tells us about destroying the world on a budget in Cell
We live in an “always on” world. We get up, check our Twitter and email. We text our friends. We take selfies and share every intimate detail. For Cell director Tod Williams, it’s all a bit of a nightmare.
“Cell was sent to me with John Cusack already attached and that was something that really attracted me,” says the director, previously best known for directing Paranormal Activity 2. “And I began to feel more and more strongly about the concept, more personally connected to it and the thinking around connectivity and how it’s kind of a horrible, terrible thing in many ways… There seems to be a belief that connectivity is automatically good. I’m not sure that’s what we’re put on Earth for.”
This story is from the September 2016 edition of SFX.
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This story is from the September 2016 edition of SFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Making Alien - Jaws in Space - Forty-five years on from its original release, Alien continues to terrify. We dissect what arguably remains the most chilling instalment in the saga
The seven-strong crew of the commercial mining spacecraft the Nostromo seal their fate after reluctantly responding to a mysterious distress signal on a hostile planet. Here, a face-hugging alien from a derelict ship impregnates and later kills executive officer Kane (John Hurt) after its offspring is birthed onboard. After being unleashed, the fearsome newborn with acid for blood proceeds to dispatch the remainder of the crew.Ridley Scott's much more convoluted prequels have yet to reveal how the knowledge that led to this initial interception was acquired. However, the premise of the original Alien is perfect in its uncomplicated purity.
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