Prepare for the most heart-wrenching fantasy movie of the year. Matt Glasby is on set as Patrick Ness’s tale
Stories are wild creatures… when you let them loose, who knows what havoc they might wreak?” So proclaims the eponymous Monster (Liam Neeson), an ancient yew tree called forth by troubled schoolboy Conor O’Malley (Lewis MacDougall) in this dark fantasy directed by JA Bayona (The Orphanage, The Impossible). He’s not kidding… Based on the YA novel by Patrick Ness (showrunner of Doctor Who spin-off Class), this particular story is wreaking havoc across an entire studio backlot outside Barcelona. Amid the sinewy branches littering the set, the Monster is, quite literally, in pieces. In one corner sits its huge, trunk-like head with red bulbs instead of eyes; in another is a 6ft foot. If Bayona and co do their jobs, it won’t just be the Monster who’s in bits…
In case you hadn’t guessed, A Monster Calls is an absolute heartbreaker. “It’s a story about a kid dealing with the death of his mother [Felicity Jones],” Bayona tells SFX between takes. “When you touch the need to say goodbye, people normally don’t go that far when they go to the movies. Especially in fantasy movies, which are so restricted because they cost a lot of money. Studios don’t want to disturb the audiences, they want them only to have fun, and I thought they could have a lot of fun watching this film but they can also learn what life is about. I don’t want to sound pretentious, but I wanted to make audiences think about it, then send them back home with the film still growing in their minds.”
This story is from the February 2017 edition of SFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 2017 edition of SFX.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS