At the dawn of the 1970s, a young Florida band had plausible dreams of making it big. “We were better than anyone else,” recalls their bassist, TOM PETTY, of his doomed first band, MUDCRUTCH. Now, though, he has reunited this mix of Heartbreakers and guitar teachers for a long-awaited turn in the spotlight. Uncut meets a reborn Mudcrutch in New York, and explores with them the lost hinterland of a rock superstar.
Tom Petty Came to success in a very roundabout way. During his induction into the Songwriters Hall of Fame in Newyork in early June, Petty explains that, even today – having spent the best part of three decades refining back-to-basics american rock – he still considers himself to be an outsider. “I’m sorta the rock’n’roll white trash section of the show,” he deadpans from the podium of the Marriott Marquis Ballroom. Tonight, Petty is in illustrious company. His fellow inductees include Lionel Richie, Elvis Costello, Nile Rodgers and posthumously, Marvin Gaye. Petty is suitably dressed for the occasion, sporting a military-cut black tuxedo, a black silk shirt and a thin purple cravat. He is inaugurated by his friend Roger McGuinn and although the tone of the event is light and celebratory, Petty’s acceptance speech shares several hard truths about the nature of his craft. “Writing a song for a rock band – you’d better bring a really good song, because they don’t take it well if it’s not,” he says in a slow, laconic drawl. “Many times I’ve gone back to the drawing board.
“If no-one ever wrote another song, we’d be fine,” he continues. “There’s plenty of songs. But I still do it. I love it, it’s a gift. Everybody can do it, but everybody can’t do it good.”
But which band exactly is Petty talking about here? The Heartbreakers, perhaps; his longserving sidemen on 13 studio albums? or alternatively, is he referring to Mudcrutch – the proto-Heartbreakers outfit formed in Gainesville, Florida in 1970? In the event, Petty decides to honour both of his bands by playing “angel Dream (No 4)”, a Heartbreakers’ deep cut, and a Mudcrutch track, “I Forgive It all”.
Denne historien er fra September 2016-utgaven av Uncut UK.
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Denne historien er fra September 2016-utgaven av Uncut UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record – her brilliant debut solo album – she takes stock of her consistently adventurous career so far. To discuss: her early days in New York’s Downtown, cooking with Neil Young and the perils of gentrification. “Life is unexpected,” she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rock’n’roll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. “As long as people are oppressed, there will be room for protest music,” they explain
Angel Olsen: Her Bright Materials
Welcome to Asheville, North Carolina, where ANGEL OLSEN is poised to release her new album, All Mirrors. Erin Osmon joins the singer-songwriter at home to discuss heartbreak, fantasy property deals and her latest bold pop experiment. “Sometimes your dreams are not what they seem,” she says
“I Was Insatiable!”
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iver’s endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in “some of the worst videos ever made”
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Australian indie ambassadors’ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. “I didn’t know what the hell I was doing for quite a while,” he reveals
Robert Plant - Digging Deep
ESPARANZA 7/10 Percy on 45! A boxset of 7”s traces Plant’s post-Zep progress. By Michael Bonner
Leonard Cohen - Thanks For The Dance
The poet’s intimate musical postscript.
'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…