LABOUR OF LOVE
Grazia|November 2020
Set in a nation experiencing its first flush of independence in the wake of Partition, Mira Nair chats with us about her maiden television project
PASHAM ALWANI
LABOUR OF LOVE

It’s 11.37 pm on a Thursday night in October, five days after Mira Nair’s film adaptation of Vikram Seth’s A Suitable Boy has aired on Netflix in India and I’m scheduled to have a Zoom interview with the filmmaker, who is currently in lockdown in New York. As usual, I’m wary, awkward, and easily intimidated – but Nair, who greets me with her dark, kohl-lined eyes and disarming smile, immediately puts me at ease and exudes the same warmth, passion, candour, and vibrancy that we’ve grown accustomed to through her films. In a Grazia exclusive, the award-winning director shares anecdotes from filming the show to the process of bringing Seth’s post-Independence, Austenesque expansive novel to life, and also talks about the challenges faced while putting the finishing touches on the series amidst a pandemic.

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This story is from the November 2020 edition of Grazia.

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This story is from the November 2020 edition of Grazia.

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