In Sydney to launch Fendi’s new store, creative director Silvia venturini Fendi reflects on the family business, feminism, her love of Rome and why she’s so over It bags.
A BAG KEEPS ALL YOUR SECRETS,” Silvia Venturini Fendi says. “If you open the bag of a woman, you can tell so much.” As intrigued as I might be, I’m not quite game enough to ask what’s inside hers. In fact, I don’t remember seeing a bag at all during our interview in Sydney’s Park Hyatt, which is ironic given Fendi, who has been the creative director for accessories of the house that bears her family name since 1994 (she’s also across menswear and childrens wear), is the force behind Fendi’s greatest bag hits, including the Peekaboo, the jour and, most famously, the Baguette. The designer flew into Sydney to celebrate the launch of the brand’s second store in Australia only weeks after showing the house’s A/W 2017 collection alongside Karl Lagerfeld, who looks after its ready-to-wear, in Milan. But it was the women of Rome, where Fendi is based, who captured the pair’s imagination for the new season.
CLARE MACLEAN: Can you tell us a little bit about how Rome influences the brand and the new collection?
SILVIA FENDI: It inspires me a lot because, you know, it’s the place where I live, so of course that affects me. For the collection we were looking at references and thinking about the Silvana Mangano of today. She was an Italian actress who, to me, really embodied the Fendi woman, and is also someone Fendi dressed in the [Luchino] Visconti movies. So there was an idea of a woman with a cinematic attitude walking in the streets of Rome. And, of course, red was a highlight colour of the collection, too.
CM: You moved into the new Fendi headquarters [Rome’s Palazzo della Civiltà Italiana] in 2015. Is the building still a source of inspiration to you?
This story is from the August 2017 edition of Harper's Bazaar Australia.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2017 edition of Harper's Bazaar Australia.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Grounded In Gotham
As she acclimatises to life under lockdown in her adopted city, model Victoria Lee reflects on fear, family and the fortitude of New Yorkers
Woman Of Influence Ingrid Weir
With a knack for elevating creative yet quotidian spaces and a love of bringing people together, the interior designer is crafting a sense of community among young artists.
CODE of HONOUR
At Chanel’s latest Métiers d’art showing, house alums Vanessa Paradis and daughter Lily-Rose Depp reflect on the red-carpet alchemy of Coco’s beloved bow, chain, camellia and ear of wheat.
Stillness in time
Acclaimed Australian fashion designer Collette Dinnigan’s new life in Italy has been a slowing down of sorts — but now, with coronavirus containment measures in play, life inside the walls of her 500-year-old farmhouse in Puglia has taken on a different cast, she writes
In the BAG
Aussie expat Vanissa Antonious from cult footwear brand Neous on going solo and stepping up her accessory offering.
uncut GEMMA
Forging her own path while paying it forward to the next generation, actor Gemma Chan is the (very worthy) recipient of the 2020 Women In Film Max Mara Face of the Future Award. She reflects on fashion, the Crazy Rich Asians phenomenon and red-carpet alter egos with Eugenie Kelly
THE TIME IS NOW
Esse Studios founder Charlotte Hicks’s slow-fashion model may just blaze a trail for the industry’s new normal. She talks less is more with Katrina Israel
COUPLES' THERAPY
Brooke Le Poer Trench ruminates on the trials and tribulations of too much time together
CALM IN A CRISIS
Caroline Welch was a busy woman who wrote a book on mindfulness for other busy women. Now, in the midst of a worldwide pandemic, she has started to take her own advice
ACCIDENTALLY RETIRED
As we settle into the new normal of lockdown, Kirstie Clements finds a silver lining in the excuse to slow down and sample the low-adrenaline lifestyle of chocolate digestives, board games and dressing down for dinner