Adventures in men’s makeup.
Sleek, dark cylinders lined up in my bathroom cabinet: if this is transgression, it feels like the business-class end of it. As you may have noticed — or not, depending on the level of skill in its application — men’s makeup is going mainstream, following the genderless revolution that has swept fashion, fragrance and haircare. The potential market is huge — half the population — and boldface brands are jumping at it, from early adopter Yves Saint Laurent, which reformulated its Touche Éclat concealer pen for men in 2008, to Tom Ford, Chanel, Marc Jacobs Beauty and Givenchy. And today, as a man whose toiletries bag is always emptier than a bachelor’s fridge, I’ve been asked to trial it.
Arrayed in front of me are products from the Boy de Chanel line, the simple-clever name a nod to Coco Chanel’s lover Arthur ‘Boy’ Capel, and Givenchy’s newly revamped Mister range, which is pitched as unisex (though it stopped short of spelling itself ‘Misster’). I have a Matifying Stick, a Corrective Pen, a matt liquid foundation, a lip balm and a brow pencil that doubles as a facial hair filler. We’re at the define-and-conceal end of the spectrum, with shimmering, colourful self-expression being the other; somewhere beyond grooming, but not quite makeup makeup, either.
ãã®èšäºã¯ Harper's Bazaar Australia ã® September 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Harper's Bazaar Australia ã® September 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Grounded In Gotham
As she acclimatises to life under lockdown in her adopted city, model Victoria Lee reflects on fear, family and the fortitude of New Yorkers
Woman Of Influence Ingrid Weir
With a knack for elevating creative yet quotidian spaces and a love of bringing people together, the interior designer is crafting a sense of community among young artists.
CODE of HONOUR
At Chanelâs latest Métiers dâart showing, house alums Vanessa Paradis and daughter Lily-Rose Depp reflect on the red-carpet alchemy of Cocoâs beloved bow, chain, camellia and ear of wheat.
Stillness in time
Acclaimed Australian fashion designer Collette Dinniganâs new life in Italy has been a slowing down of sorts â but now, with coronavirus containment measures in play, life inside the walls of her 500-year-old farmhouse in Puglia has taken on a different cast, she writes
In the BAG
Aussie expat Vanissa Antonious from cult footwear brand Neous on going solo and stepping up her accessory offering.
uncut GEMMA
Forging her own path while paying it forward to the next generation, actor Gemma Chan is the (very worthy) recipient of the 2020 Women In Film Max Mara Face of the Future Award. She reflects on fashion, the Crazy Rich Asians phenomenon and red-carpet alter egos with Eugenie Kelly
THE TIME IS NOW
Esse Studios founder Charlotte Hicksâs slow-fashion model may just blaze a trail for the industryâs new normal. She talks less is more with Katrina Israel
COUPLES' THERAPY
Brooke Le Poer Trench ruminates on the trials and tribulations of too much time together
CALM IN A CRISIS
Caroline Welch was a busy woman who wrote a book on mindfulness for other busy women. Now, in the midst of a worldwide pandemic, she has started to take her own advice
ACCIDENTALLY RETIRED
As we settle into the new normal of lockdown, Kirstie Clements finds a silver lining in the excuse to slow down and sample the low-adrenaline lifestyle of chocolate digestives, board games and dressing down for dinner